Cause and Effect and Stories

You can think of cause and effect as the ultimate story. The world is filled with one damn thing happening after another, but to make sense of it we organize it into a narrative: this happened first, and it caused that, which caused that. We tie this to “what if” stories, stories about things that didn’t happen: if this hadn’t happened, then it wouldn’t have caused that, so that wouldn’t have happened.

We also tell stories about cause and effect. Physicists use cause and effect as a tool, a criterion to make sense of new theories: does this theory respect cause and effect, or not? And just like everything else in science, there is more than one story they tell about it.

As a physicist, how would you think about cause and effect?

The simplest, and most obvious requirement, is that effects should follow their causes. Cause and effect shouldn’t go backwards in time, the cause should come before the effect.

This all sounds sensible, until you remember that in physics “before” and “after” are relative. If you try to describe the order of two distant events, your description will be different than someone moving with a different velocity. You might think two things happened at the same time, while they think one happened first, and someone else thinks the other happened first.

You’d think this makes a total mess of cause and effect, but actually everything remains fine, as long nothing goes faster than the speed of light. If someone could travel between two events slower than the speed of light, then everybody will agree on their order, and so everyone can agree on which one caused the other. Cause and effect only get screwed up if they can happen faster than light.

(If the two events are two different times you observed something, then cause and effect will always be fine, since you yourself can’t go faster than the speed of light. So nobody will contradict what you observe, they just might interpret it differently.)

So if you want to make sure that your theory respects cause and effect, you’d better be sure that nothing goes faster than light. It turns out, this is not automatic! In general relativity, an effect called Shapiro time delay makes light take longer to pass a heavy object than to go through empty space. If you modify general relativity, you can accidentally get a theory with a Shapiro time advance, where light arrives sooner than it would through empty space. In such a theory, at least some observers will see effects happen before their causes!

Once you know how to check this, as a physicist, there are two kinds of stories you can tell. I’ve heard different people in the field tell both.

First, you can say that cause and effect should be a basic physical principle. Using this principle, you can derive other restrictions, demands on what properties matter and energy can have. You can carve away theories that violate these rules, making sure that we’re testing for theories that actually make sense.

On the other hand, there are a lot of stories about time travel. Time travel screws up cause and effect in a very direct way. When Harry Potter and Hermione travel back in time at the end of Harry Potter and the Prisoner of Azkaban, they cause the event that saves Harry’s life earlier in the book. Science fiction and fantasy are full of stories like this, and many of them are perfectly consistent. How can we be so sure that we don’t live in such a world?

The other type of story positions the physics of cause and effect as a search for evidence. We’re looking for physics that violates cause and effect, because if it exists, then on some small level it should be possible to travel back in time. By writing down the consequences of cause and effect, we get to describe what evidence we’d need to see it breaking down, and if we see it whole new possibilities open up.

These are both good stories! And like all other stories in science, they only capture part of what the scientists are up to. Some people stick to one or the other, some go between them, driven by the actual research, not the story itself. Like cause and effect itself, the story is just one way to describe the world around us.

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